In\u00a0The Glitter Factory,\u00a0the\u00a0year\u2019s cycle\u00a0materialised in\u00a0an attempt\u00a0to produce different objects, according to\u00a0the\u00a0different needs\u00a0of the\u00a0different seasons,\u00a0that would sustain the factory\u2019s survival. Christmas tree tinsel in the winter, binoculars in the spring, sunglasses in the summer, and zippers in the autumn. With the\u00a0ever-present\u00a0feeling of time, I\u00a0filmed\u00a0my parents over and over again. The camera became something that created both closeness and distance between us. Over time, different scenes from life, dreams and imagination came to life in\u00a0The Glitter Factory.\u00a0The act of looking and a spotlight on mortality slowly emerged\u00a0as themes in the work.\u00a0The house itself started to fade away and a new place became visible. A house that\u00a0invites us\u00a0to spend time with each other, a camera that\u00a0gives us a reason and moments\u00a0to\u00a0pay attention to the way we look at things and the way we speak about\u00a0them.<\/p>\n","protected":false},"excerpt":{"rendered":"
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